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039compromise039 by shad on qtv

wwwyoutubecomqtv the canadiankenyanrwandan rapper performs 039compromise039 from his polaris prize nominated album 039the old prince039 live in studio q
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building without nails the genius of japanese carpentry

we039ve heard of the genius quottechnologyquot used in ancient times to build towering monuments with nothing more than primitive tools like stones and ropes the egyptian pyramids of old is a great exampleback in the far east japan had plenty to offer the ancient world as well when it came to resourceful inventions and crafts traditional japanese carpenters built houses temples and castles without the use of nails screws or boltsin a documentary interviewing one of the few remaining practitioners of this seemingly lost art of carpentry an old japanese master craftsman exclaims quotno bolts no nails it lasts longerquot proudly claiming its effectiveness that no one would be able to argue against its success in the form of several majestic towering temples all over japan still standing to this dayafter being subjected to harsh weather and clashes of changes in civilizations for well over a thousand years but with the bold statement comes a clear understanding that the success to this art isn039t because they designed it to withstand quotagainstquot nature instead it is all about being quotwithquot naturemoving his livelihood to new york and sharing his art form of old japanese wood working to the world isao hanafusa co-owner of miya shoji has carved himself a unique niche in the competitive market of the furnishing industrysought out and revered by new yorkers wanting that embrace with nature in their interior decor with a style and durability in craftsmanship that can039t be rivaled by most factory produced alternativesall furniture selections in miya shoji showrooms are hand crafted even the types lumber used in all his crafts are hand selected by hanafusa himself isao hanafusa was a graduate of industrial revolution studies of which he states has produced countless wonders for the modern world but its cold machinery has also tragically killed off individual talent that is supposed to reside in craftsmento this day he rejects criticisms of his methods being unnecessarily old fashioned because with all the bold talk of technologically advanced tools and methods used in modern day construction work the hanafusa family believes a thousand years worth of talent refinement and mastery should not be thrown away in exchange for mass production conveniencenor is it going to back down from the contest that their crafts will last even longer than rigid concrete and metal structures for the simple fact they are not designed to resist against the force of mother nature but to live with her